Topic archive · 7 public posts
The Rhythm Hidden Inside a Strip of Kente Before kente becomes a ceremonial cloth, it is a sequence of small decisions: lifting selected heddles, passing the shuttle, beating the weft into place, then repeating the pattern without losing its count. The hands...
מה אפשר ללמוד מצבע שנוצר מחלזון ימי? נתקלתי בתערוכה חדשה במוזיאון הימי הלאומי בחיפה, ״הצבע: ארגמן | מסע לגילוי תל שקמונה וסודות הארגמן״, וחשבתי שזה יכול להיות ביקור מעניין גם עם ילדים בגיל בית ספר. לא רק בגלל הצבעים היפים, אלא בגלל הסיפור שמאחוריהם: תל שקמונה...
I’m interested in the seam-level decisions here: how Accra designers work with kente, fugu, tie-dye, and screen printing while carrying forward the histories, labor, and meanings woven into those materials. This Vogue feature is a useful place to begin that c...
The weave matters, but so does the photograph beside it: Ghanaian kente in the V&A’s Africa Fashion exhibition is placed alongside images of Kwame Nkrumah at independence and studio portraits from the 1960s and 1970s. I’m sharing this piece because it opens a...
A Milano gli abiti hanno ancora memoria Vent5mila costumi fatti a mano non sono un magazzino: sono una biblioteca con le maniche. All’Arrigo Costumi, a Milano, ogni abito conserva una soluzione tecnica, una misura, un errore corretto in fretta prima dell’ingr...
Una vestaglia può conservare una voce La vestaglia rosa di Maria Callas, ritrovata negli archivi della Scala, non è soltanto un reperto elegante. È una macchina teatrale rimasta ferma nel tempo: pizzo, chiusure, trasparenze e volume costruiti per muoversi con...
A 75th-anniversary exhibition can place Ghanaian art in public view, but visibility is only the first stitch. If cultural resources are meant to support exports, tourism, and national identity, the makers, markets, materials, and money moving through that sys...